Reviews, interviews, articles, and other blather about music from the mind of Yugoboy

Friday, June 8, 2018

Mile Marker Zero - The 5th Row


Mile Marker Zero
The 5th Row


"Source Code" opens The 5th Row with a nifty montage of sound bites and quotes from the past thirty-plus years of US and World history, from Reagan's "Tear down this wall!" to a 9/11 Truther's doubt-filled questioning of the ability of a plane to bring down the towers.  This introduction establishes certain expectations of what comes next. Fortunately, what comes next is excellent.
Mile Marker Zero's tight, heavy progressive rock, filled with catchy hooks, well-integrated electronics, and sing-along-friendly vocals appeals on an aesthetic level engaging both taste and thought.  The tracks sport an abundance of Rush and other prog-rock DNA, including lead bass, synthesizers, and really tight production.  Discursive passages down quieter, reflective paths keep The 5th Row from becoming solely an intense assault of technique and technical prowess.  There's plenty of loud guitar-led awesomeness, but these guys don't just stress attack.
While nothing I can find indicates that The 5th Row is a concept album as such, there's certainly a significant theme of running through the tracks.  From the opening "Source Code" to the symbolic "2001," "Digital Warrior," "Building a Machine," "Sacred Geometry," "UI," "2020" and various other tracks throughout, it helps to bring some nerd cred to the experience.
The New England-based quintet, having met and formed at Western Connecticut University's school of music, wastes no line-up slots on duplication of effort.  Vocalist Dave Alley gets significant help from guitarist John Tuohy, bassist Tim Rykoski, drummer Doug Alley and piano/keyboardist Mark Focarile.  Given the band's origins, very little else should surprise about The 5th Row.  The previous sentence is the opposite of pejorative; Mile Marker Zero produces is some smart, thoughtful music - the kind you might get from guys with the kind of time college students have to collaborate and really dial into their craft, covering the kind of topics students getting a decent liberal arts foundation might be encouraged to read and think about.
It might be possible to put The 5th Row on as some good ambient background tunage, but eventually the intelligence of the ideas, styles and lyrics will break through and force the listener to really engage with the complicated nature of what MMZ hath wrought.

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